Opus 1407

 

The COTOS Wurlitzer

 

    The Style 260 was the most popular model among larger Wurlitzers, with 62 being produced, and was the prototype for the almost identical Balaban 3 Style, conceived for the Balaban and Katz Theatres. It had many coveted ranks, including a Brass Saxophone, Brass Trumpet, Orchestral Oboe and Quintadena. For this reason, most of these models which survived demolition have been broken up to sell the ranks. We have one of the very few intact Style 260 Wurlitzers in the world.

Chamber Analysis

  Main Solo
  Diaphonic Diapason  16'  97 pipes   Tibia Clausa  16'  97 pipes
  Tuba Horn  16'  85 pipes   Brass Trumpet   8'  61 pipes
  Concert Flute  16'  97 pipes   Orchestral Oboe   8'  61 pipes
  Clarinet   8'  61 pipes   Brass Saxophone   8'  61 pipes
  Solo String   8'  61 pipes   Oboe Horn   8'  61 pipes
  Viol d' Orchestra   8'  85 pipes   Quintadena   8'  61 pipes
  VDO Celeste   8'  73 pipes   Vox Humana   8'  61 pipes
  Vox Humana   8'  61 pipes   Kinura   8'  61 pipes
  Chrysoglott    49 notes   Piano  85 notes
  Marimba/Harp  49 notes
Xylophone  37 notes
Glockenspiel  37 notes
Cathedral Chimes  25 notes
Tuned Sleigh Bells  25 notes
Toy Counter
Traps
 
Pictures of Opus 1407 - Then and Now
 
An examination of the Wurlitzer Opus list reveals that most Style 260 organs shipped as a 260SP. For this style, the Special (SP) suffix almost always denoted deletion of the 32' Diaphone octave, and frequently of the piano. Opus 1407 lacked the 32' Diaphone, retained the piano, and had a second Vox Humana installed in an "echo chamber" over the proscenium arch in its original home at the RKO Palace Theatre here in Columbus.
Background: Present day console layout, Opus 1407.

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