BIOS
Lyn Larsen
Clark Wilson
Walt Strony
Simon Gledhill
Richard Hills

Philco Radio Players

Lyn Larsen

Lyn Larsen began classical piano lessons at age 3 and began playing the organ at 7. After hearing George Wright play at the Rialto Theater in South Pasadena, California, his interest turned to the theatre pipe organ. Two years later, he made his concert debut, in 1964 at the Wiltern Theatre in Los Angeles.

Since then, he has had the opportunity to perform on virtually every important instrument in the United States, Australia, and England.
Among the highlights of his career are appearances at the Hollywood Bowl, and an Organ Gala concert in London's Royal Albert Hall with Carlo Curley and the late Pierre Cochereau of Notre Dame Cathedral in Paris.

He also performed one of only two solo organ concerts ever given at Radio City Music Hall, in New York. Also, also had the good fortune to be chosen to perform the re-dedication concerts on many restored theatre organs, including the organs in the Chicago Theatre and Shea's Buffalo Theatre. In 1994, the American Theatre Organ Society named him Organist of the Year and was inducted into their Hall of Fame - the youngest person ever inducted.

As well as performing, he is a consultant in the tonal design and layout of both new pipe organ installations and in the restoration of historic instruments all over the United States. He oversaw the installation and finishing of the 5-manual, 80-rank theatre organ (the largest theatre organ in the world) in the Sanfilippo Music Salon near Chicago, and was in charge of the restoration and expansion of the 4-manual, 73-rank Wurlitzer in the San Sylmar museum in Sylmar, California.

He has made more than 40 record albums; the first theatre organist to have a compact disc released by a national recording company. One of those has the distinction of being the only theatre organ recording ever to make Billboard Magazine's Top Ten CD List.
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Clark Wilson

A native of Ohio, Clark Wilson began his musical training at the age of nine. While growing up, he accompanied numerous stage musicals and was organist at several churches. At this time he was listed in "Who's Who in the Midwest". He also holds Life Member status in the international Tri-M Music Honor Society.

Following several years with the Shantz Organ Company as a reed voicer and tonal finisher, Clark's professional theatre organ career began with his appointment to the featured organist position at the Pipe Organ Pizza in Milwaukee, Wisconsin. He has since been on the playing staff at the Paramount Music Palace in Indianapolis, Indiana, Pipes and Pizza and Lansing, Illinois, and is currently associated with the new Organ Stop Pizza in Mesa, Arizona, where he is on the organ staff as well as having assisted with the planning and installation of the world's largest Wurlitzer organ.

Clark's recording credits include six albums. He has given all-transcription recitals for the AGO, played for the 1990 Organ Historical Society convention, and performed at numerous National and Regional conventions of the ATOS, as well as giving a series of highly lauded workshops for young people's Pipe Organ Encounters. He has concertized in the United States, Canada, Australia and England, and done extensive silent film accompaniment, including at the Chautauqua Institution in New York. In addition, he is featured organist for the Summer Movie Series at the famed Ohio Theatre in Columbus, Ohio.

Along with a busy concert schedule, Wilson heads his own pipe organ business and is heavily in demand as a tonal consultant and finisher of both theatre and classical pipe organs; he has been given the singular honor of being brought to England multiple times for theatre organ tonal finishing. He has received both the Technician of the Year and Organist of the Year awards from the American Theatre Organ Society, the only person to have done so, and his time is now almost equally divided between concert and technical work.

He has been professionally involved with more than 65 other theatre organ installations throughout North America and England
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Walt Strony

Walt Strony is one of America's Premiere concert organists. He made his public debut in 1974 at the age of 18 and has since established himself in both theater and classical organ circles.

Mr. Strony has performed hundreds of concerts from coast to coast in the United States and in Japan, Australia, England and Canada. In addition, he has performed at many conventions of the American Theater Organ Society and the American Guild of Organists.

In 1991 and in 1993, he was given the honored title, "Organist of the Year" by the American Theater Organ Society, the first and only organist ever to twice receive this award.

He has made many recordings which have received rave reviews. As an author, he is well known in organ circles for his recent book entitled, "The Secrets of Theater Organ Registration", which has already become the standard reference book on this subject. In addition, Mr. Strony is a consultant in the design and the tonal finishing of both pipe and digital organs. Walt spent three days regulating the Plummer Organ, that is, making sure that the loudness of the ranks of pipes from the quietest to the loudest are uniformly incrementally louder from quietest to loudest. He is also a composer of organ and choral music.

Walt Strony was born in Chicago and began music lessons at the age of seven. His theater organ teacher was the famous Chicago organist, Al Melgart, who, for many years, was the staff organist at the Chicago Stadium. His classical studies were with Herbert L. White and Karel Paukert. This well-rounded musician brings a wealth of experience to any organ console which has brought to him the reputation of being one of America's most original and interesting sounding concert organists.

One reviewer noted that "While looking respectfully backwards to the masters of the theater organ tradition, he manages to look forward with a refreshing approach in all of his musical arrangements. It is a style that is inventive, harmonically interesting and, above all, right
for today."
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Simon Gledhill

Simon was born in Halifax, West Yorkshire, England, in 1965. He demonstrated a keen interest in music from an early age.

He began learning to play the piano accordion shortly before his sixth birthday and continued with that instrument for eleven years, winning several competitions along the way. When he was ten, his parents purchased a small electronic organ. After initially teaching himself to play it, he commenced formal studies with a gifted local teacher, Michael Woodhead, who gave him extensive tutoring in classical organ and piano.

Simon's first experience of the theater pipe organ was by hearing the late Ernest Broadbent play the Mighty Wurlitzer at Blackpool's Tower Ballroom. He subsequently discovered that a local, privately-owned instrument could be hired out by the hour, and began making weekly practice visits. In 1983 he entered and won the Northern Young Theatre Organist of the Year competition. Nigel Ogden, presenter of BBC Radio 2's The Organist Entertains, was on the audience, and invited him to
make some recordings for the program on the (then)
BBC theatre organ at the Playhouse Studio in Manchester.

These broadcasts resulted in a flurry of concert offers,
and Simon has performed at all the major theatre organ venues in Britain, as well as touring in Germany, Holland, Australia and the USA. In America, he has played at such prestigious venues as the Oakland Paramount Theatre, Century II Center in Wichita (home of the ex-New York Paramount Wurlitzer) and the Pasadena Civic Auditorium (where ex-Reginald Foort/BBC five-manual Möller theater organ now resides). There have been eight appearances at National and Regional Conventions of the American Theatre Organ Society.

Simon was honored to accept the ATOS Organis of the Year award at the Society's 1997 National Convention in Indianapolis.
He combines his concert activities with a full-time career in corporate banking, based in London.
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Richard Hills

Richard Hills was introduced to the ATOS at the 1995 Detroit convention. He performed on the magnificent 4/36 Fox Wurlitzer as if he had been playing it all his life. During this year he won the Junior Division and went on
to become the overall winner of the Young Organist Competition.

This young performer, who was only 14 at the time, created quite buzz at the convention and post convention commentaries. The overall consensus was how could this young man, barely a teenage achieve such a mature musical style equal to that of veteran performers! Amazing!

Richard was awarded a music scholarship at King's
School in Rochester, England. Just recently, he has been appointed staff organist to London's famed Westminster Abbey.
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Philco Radio Players
In the days before television, families gathered around the Philco listening to stirring tales of space travel, western adventures and unexplained mysteries. Now, you can experience those same thrills and laughter with the
Philco Radio Players.

As Atlanta's only professional classic radio theatre repertory company, our audiences enjoy recreations of America's all-time favorite radio shows, including:

Flash Gordon
Fibber McGee & Molly
Doc Savage
War of the Worlds
The Shadow
Suspense
Innersanctum
Lights Out
The Bickersons
Life of Riley
and many more

About The Philco Radio Players

Founded in 2002 by Creative Director Scott Lindquist, The Philco Radio Players (once known as The Potluck Players) is a professional repertory company with 20 actors, as well as a staff of technicians, musicians and sound-effects masters.

The group has performed at various Atlanta
locations, including the Callanwolde Fine Arts Dorothy C. Benson Senior Center, Kudzu Playhouse and various churches.

Each production features

Seasoned actors with professional experience in creating a
multitude of distinctive characters.

Classic sound effects created just like the old days, with
ordinary household items simulating everything from
creaky doorstop to ray guns - as fun as show itself!

Performances of memorable songs from the 30s and 40s

Lots of Walla Walla, an old radio term for "background sounds"
that lets the audience be part of the show by
screaming like zombie slaves or growling like animals

Family-friendly production values:
fun for kids and adults of all ages

Scott Lindquist
c/o Philco Radio Players
678-923-4898
Fax: 770-579-0009
Email: philcoradioplayers@eudoramail.com
Old website: www.potluckplayers.com
New website coming soon... www.philcoradioplayers.com

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