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A Letter to St. Paul

[Review in Cadence]


Cover of CD
  1. Chaz Haz Imploded (Hildreth) 3:53 [RA 3.0 @ 28.8]
  2. The Only Peace I Know (Wagner) 8:06
  3. Cellophane Mary (Wagner) 8:06
  4. A Letter to St. Paul (Wagner) 13:07 [TrueSpeech Clip]
  5. Gaddzooks (Wagner) 5:42 [TrueSpeech Clip]
  6. The Color of a Mirror (Wagner) 2:50
  7. Jimmy the Spock (Hildreth) 11:50 [TrueSpeech Clip]
  8. Joy (Wagner) 8:30 [TrueSpeech Clip]
Produced by Java Men

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Since the turn of the decade, organ combos have made a bit of a comeback. So, maybe the time has come for the Java Men, a group hailing out of Louisville, Kentucky. But, they are an organ combo with a difference. Rather than aping the groovin'-on-a-hot-summer-night sweaty prototype, they play a breezy, energetic variant on it. Todd Hildreth does not rely on the clichés set down by Jimmy Smith, Groove Holmes and Johnny Hammond. Thankfully, there's not an endless trill over a walking bassline in sight. Hildreth tends to play his instrument with a straight, vibrato-less tone, reeling off spiralling, Coltrane-ish lines. He also explores the unique, sonic properties that a Hammond can provide. Craig Wagner's guitar is similarly unaffected. His solos develop from clean, single-line runs into dense chordal patches with a strong rhythmic crunch. There's also a bit of country twang to his tone, most notable on "Jimmy the Spock". Ray Rizzo's drumming holds it together, going from a cool swing to a strong funky backbeat.

The music runs the gamut from the tricky and tuneful ("The Only Peace I Know"/"Cellophane Mary") to the mysterious ("The Color Of A Mirror" which bears a bizarre resemblance to late-period Tom Waits) to the absurd ("Gaddzooks", which crosses a dancing, juju flavor with a drunken mariachi chorus). Throughout, there's an exuberance to this music that makes it well worth investigating.

Robert Iannapollo - Cadence 1/97 (p. 101)