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Queensland Gallery of Modern Art

(GOMA)

On 12 November 2003, the following announcement was released announcing the purchase by the Queensland Government of the Wurlitzer organ once in the Regent Theatre, Brisbane, and latterly in the home of Dr King of Lawson, NSW:

 

 

The organ was removed from the late Dr King's Blue Mountains home in early 2004 and for the next three years underwent painstaking restoration by a team of organ builders from Queensland, New South Wales and Victoria, led by John Andrews from Sydney, Project Manager.

Courier Mail, Brisbane, 28 March2007

The organ was installed in the Cinémathèque Cinema A, which seats 224.

The chambers are located below the stage, and the sound enters the theatre through tone chutes that open into grilles in the front of the stage where the pit would normally be sited.  Between these grilles is a sliding cover that moves to allow the console to rise to stage level.

The organ was officially "launched" on the evening of Thursday 29 March, 2007, at a short, but very successful function when Tony Fenelon played a brief programme comprising: Come Fly With Me, Overture The Thieving Magpie, and a selection of music from the musical Phantom of the Opera.   The occasion concluded with the organ's use in what will be its primary rôle in its new home - the accompaniment of silent films - as Tony provided the music for the Queensland première of the recently rescued, assembled and restored fragments of the 1906 (world's first feature film) The Story of the Kelly Gang.  Until recently it was thought that this pivotal piece of film history survived only in "stills", but 17 minutes of its original 60 have been discovered in a variety of places, enough to collate in proper sequence and recreate the original story, albeit in abbreviated form.

For many of the art and film culturati in the invited audience it was their first exposure to live theatre organ music, and conversations afterwards not only covered the finer points of the film, but suggested they were looking forward to hearing much more of the instrument that now forms an unusual and welcome addition to Brisbane's cultural scene. The organ connoisseurs delightedly commented amongst themselves on Tibias, Tremulants, Suitable Basses, console wind and other arcane matters; all were agreed that it is the end result of a fine restoration and installation job and worthy of the highest praise. Among the guests was Ms Betty Kelly, widow of the late Dr Keith King, who between them had cared for and housed the organ since 1964, a longer period than its original installation in the Regent. Many took the opportunity to speak with her and her family to acknowledge their rôle in maintaining the instrument in such complete and well-cherished condition, and for agreeing to its sale so that it could return to Brisbane where it had first sounded.

The combination of the excellent work carried out on the pipe work by John
Parker, and the mixing which occurs due to the tone chute arrangements,
meant that not only did the Wurlitzer make music, at times it made exciting
music. In fact, the Director of the Queensland Art Gallery, and the National
Film and Sound Archive were both astonished by what the instrument could do.


You see, it's primary purpose at the QGOMA Cinematheque is to accompany a modern work of art, the silent movie. So, to hear one of the world's best
give the pipes a real virtuosic performance kick was an unexpected knock out
for them...


Despite this being an official launch there was whooping, hollering and
whistling...

Then, after Tony's short recital, or mini concert, the silent movie was the
17 minutes found so far of the 60 min silent feature "Ned Kelly". Once more,
Tony was right on the money, and once more the audience screamed their
delight. This was a truly important night, indeed, a global first, as this
was the first time that these restored (from nitrate) "Ned Kelly" segments
had been seen, and the first time that they had been accompanied by a
Wurlitzer anywhere. The ball rattling 32's certainly assisted with impact.
They are installed under the seats...    
Ian Mclean
 

City News, Brisbane, 5 April 2007

The primary stipulation by the Queensland Government governing the organ's installation in GOMA was that its heritage status in Queensland's history be respected and that no changes be made (or perpetuated had they been made after it left the Regent).  The Organ's Specification is therefore unchanged. The console retains its electro-pneumatic combination action, with its characteristic "ker-thump" sound so beloved of traditionalists.

The grand piano that was playable from the organ console had been removed prior to the organ's sale from the Regent.  It has been replaced with an upright piano in the Solo chamber.

The organ's electro-pneumatic relay and stop switches have not yet been connected to the instrument, in which console and speaking parts are linked by a solid-state system.  They are in the chamber awaiting connection for demonstration purposes.

Original electro-pneumatic key relay

 

Original electro-pneumatic stop switches

The organ's two pipe chambers are located side by side with a further large chamber housing the wind regulators, tremulants and relays below.  The 32ft Diaphone pipes are located below the theatre floor.

The Main chamber contains the Tuba Horn, Diaphonic Diapason, Viol d'Orchestre, Viol Céleste, Clarinet, Flute and Vox Humana ranks, plus the Chrysoglott.

The Solo chamber houses the Brass Trumpet, Brass Saxophone, Tibia Clausa, Orchestral Oboe, String, Oboe Horn, Quintadena and Kinura, plus the piano, marimba/harp, glockenspiel, xylophone, chimes, drums, cymbals and other effects.

 

 

 

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