Patio Theatre Home of the Golden Voiced Barton
 

 

Image of exterior front of Patio Theatre
PATIO THEATRE BUILDING

6008 W. Irving Park Rd Chicago

The building opened in 1927 with 7 stores, 14 apartments and a state of the art 

neighborhood movie house. The building continues today with its' original marquee 

and steam boiler and stands as a landmark to a bygone era. The movie house still 

operates 7 days a week as the largest single screen theatre in  the City of Chicago 

with 1500 seats. It is an atmospheric house and the patrons can enjoy the show as the 

stars twinkle and the clouds roll.

The theatre still can function as a performance house as all the stage panel dimmers 

and switches are fully functional providing the lighting changes that were possible in 

the older theatres. A powerful 4000 watt spotlight obtained from the Chicago Stadium 

floods the organ and stage to enhance the performances.
 
 

           THE BARTON ORGAN

 

Image of Golden Voiced Barton console
                                      Patio Theatre Barton Pipe Organ
The 3 manul 18 rank Barton organ was installed as a 3/17 at a cost of $25.000 in time for the theatres opening in 1927. The first staff organist was John Devine. Like most theatre pipe organs, the instrument fell silent after the talking pictures eliminated the need for live accompaniment of the films.

Restoration began in 1966 when a group of organ enthusiasts brought the organ back to playing condition. CATOE members have kept this instrument alive and available for public performances through the years and the organ is still heard today.

The first public show was presented on April 6, 1967 featuring a silent movie and sing-a-long with popular theatre organist Hal Pearl. The audience packed the theatre with standing room only remaining.

Much organ repair continued through the years by dedicated CATOE members. The organ speaks from two chambers. The organ is essentially intact with all the original components including pipework, relay and 10 HP blower. There have been some additions to the organ as indicated below:

          16' TUBA octave added to the main chamber
            2nd and 3rd xylophones in the main chamber
           an additional string rank in the solo chamber
           A second glockenspiel and orchestral bells in the solo chamber
          Hammond electric piano -(exposed)
         Decator electric vibra harp - in orchestra pit
           Hammond RT3 electric pedal in main chamber
           2 additional regulators and trems in main chamber
           All traps are exposed plus the following additions:
              Crash cymbal, sleigh bell, electronic brush and locomotive bell

l
CHAMBER ANALYSIS
SOLO MAIN
TIBA CLAUSA 16' -2' 

TRUMPET 

OBOE HORN

SAXOPHONE

KINURA

SOLO VOX HUMANA 8' -4'

QUINTADENA

SOLO STRING 8'-4' 

STRING

TUBA 16' -4'

CLARINET

VOX HUMANA 8'-4'

TIBIA MINOR 8' -4'

DIAPASON 16'-4'

CONCERT FLUTE 8'-2'

VDO 8'-4'

VIOL CELESTE I

VIOL CELESTE II

       PERCUSSIONS                                                                                       TRAPS (EXPOSED)
XYLOPHONES (3) 

GLOCKENSPIELS (2) 

CHRYSOGLOTT 

ORCHESTRAL BELLS

PIANO 

CATHEDRAL CHIMES 

VIBRA-HARP 

TAMBOURINE'

CASTANETS

WOOD BLOCK 

MARACUS

SNARE DRUM

BASS DRUM

KETTLE DRUM

TOM TOM

CYMBALS (2)

BRUSH CYMBAL

TRIANGLE

SLEIGH BELLS

BIRD WHISTLES (2)

STEAM BOAT WHISTLE

LOCOMOTIVE BELL

THUNDER

COUPLERS 

GREAT 16' 

GREAT 4' 

SOLO 16'

SOLO 4'

ACCOMP 4'

GREAT TO PEDAL

ACCOMP TO PEDAL

ORIGINAL COMBINATION ACTION

ORIGINAL RELAY 

10HP BLOWER


 

Information  provided by Bill Reiger 

    Background couirtesy Kurt Schleiter

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