Text is as follows--all capitalization and punctuation is exactly as that which appears in the article:

Ken Griffin, nationally known organist, who got his start in Aurora, is confined to Sacred Heart hospital, Spokane, Wash., following a heart attack, it was learned today.

Following the attack last week it was hoped Griffin's condition was not serious. However, it has since been reported he will be confined to the west coast hospital for some time.

Griffin first became popular in Aurora as a featured entertainer in the West Side Beer Garden. He later moved up River Street to Mike Covelli's Rivoli, where he scored a success with his WMRO broadcasts.

From the Rivoli, Griffin went on to national fame and last season was the top selling organist in the country with his waxings for Columbia. His last Aurora appearance took place three years ago when he presented a concert in the West Junior High auditorium. More recently many Aurorans made trips to Chicago to see him at the Old Heidelberg, where he finished a successful long run prior to going to the west coast.

During his Chicago stand he was also seen on several TV shows including the Courtesy Hour and In Town Tonight.

<<<< END OF ARTICLE >>>>

Then the following article appeared in the Beacon-News on Monday, March 12, 1956 announcing his death:

The headline reads:

"HEART ATTACK TAKES LIFE OF KEN GRIFFIN"
(yes, it's all in caps!)

The text of the article follows. Where "(sic)" appears, is to indicate text as written in the article.

Ken Griffin, formerly of Aurora and well known here as an organist and entertained, died Sunday afternoon in a Chicago hospital three hours after suffering a heart attack, his second within a year.

Griffin had the distinction of having made the best-selling record produced by a solo instrumentalist, "You Can't Be True." ( NOTE: Yes, they forgot the "Dear" part! The text continues in the same paragraph:) In 1954, he was recognized as the top-selling organ soloist on wax in the United State. (sic) "You Can't be True" (sic) has sold more than 3,500,000 records.

Griffin's career began at a Naperville restaurant, but he was hired shortly thereafter to appear at the Rivoli Restaurant in Aurora, as a result of early recognition thru (sic) appearances on radio station WMRO in Aurora.

He was born in Columbia, Mo. Surviving are a sister, Mrs. Virgirl (sic) Kennedy, Denver, Colo., a brother, Kirby of San Francisco, Calif., and nieces and nephews.

Funeral services will be announced by Daleiden's Lincoln Avenue Mortuary.

<<<< END OF ARTICLE >>>>

And, here is the text of Ken's obituary which appeared in the Beacon-News on Tuesday, March 13, 1956:

	KEN GRIFFIN
  Funeral services for Ken Grif-
fin, 46, of 1617 50th Place, Chi-
cago, nationally known organist
who got his start in Aurora, will
be held tomorrow afternoon at
2:30 at Daleiden's Lincoln Ave-
nue Mortuary with Rev. William
Galloti, pastor of the Eola Gospel
Church officiating.  Interment will
follow in Lincoln Memorial Park.
  Griffin died Sunday in Wesley
Memorial Hospital, Chicago, after
suffering a heart attack.  He was
one of the nation's outstanding
instrumentalists will holding the
distinction of making the best sell-
ing record with "You Can't Be
True," which sold 3,500,000 copies.
At the time he was associated 
with Station WMRO where he
began his successful career.
  During World War II, Griffin
served two years in the U. S.
Army.  He enlisted Aug. 11, 1942
and was discharged Feb. 11, 1944
at Camp Barkley, Texas, with the
rank of corporal.  He was born
Dec. 28, 1909 in Columbia, Mo.
  Surviving are one sister, Mrs.
Virginia Kennedy of Denver,
Colo.; one brother Kirby, of San
Francisco, Calif., and several
nieces and nephews.
  Friends may call at the Mortu-
ary at South Lincoln Avenue and
Clark Street.

  <<<< END OF OBITUARY >>>>

Subject: Ken Griffin, naturally ->

lorganiste@gmail.com writes us in 2009: (Showing the influence Ken Griffin had on so many people:

In 1965, my mother and father had an awful fight, because mom spent a lot of money buying a Wurlitzer organ (model 4070). I immediately began to study on it, and discovered Ken Griffin's records at the local shop. Most of my meager allowance money went to buying them. Over the course of two years, I managed to learn most of Ken's arrangements on songs I knew: Hi Lilly, Hi Lo; You Can't be true, dear; Syncopated Clock; and many others. That was great ear training for me. I managed to get an early gig playing the Hammond B3 at the skating rink in our town every Saturday for about an hour and a half. The ear training came in extra handy when the classical bug got hold of me - and church music took my extra time. I could play any hymn in any key because of what I learned from those Ken Griffin recordings. Never got to see his television show, but what a great musician he was. And what an early loss to the music world.

Gary K. posted on the Hammond Mailing List one day this interesting story:

I was told a very amusing story about Ken Griffin's (Hammond) A getting vibrato installed. It seems that he was playing the A with tremulant ONLY (imagine that) and supposedly had the old A pre-amp specially customized tonally by a tech. I presume that a capacitor was cut out for more brilliance. He had a scheduled appointment with Hammond for them to come out and install the vibrato kit. The organ was located in a house that contained absolutely nothing else except for the A. The techs showed up did the work and Griffin arrived after the work was completed. He spotted his old pre-amp on the floor and threw a horrible fit demanding that that pre-amp be re-installed. I was told that it took several epople to convince Griffin that he could not use his old pre-amp and keep the new vibrato.

Originally a Violinist?

Russell L. Followell has submitted the following interesting tidbit about Ken Griffin. He notes the following from this LP:

Title of LP    Ken Griffin at the Great Organ
                  Rondo-lette  High Fidelity
                  #RA30A

Which Contains:

Doll Dance, Deep Purple, Tango De Fire, My Heart Stood Still, Canadian Capers, Lullaby of Broadway, All the Things You Are, She Didn't Say Yes, Blue Tango, Mood Indigo, The Continental & Valencia.

Ken Griffin was originally a violinist and began organ study without a teacher. For four years prior to sound films, Griffin played the organ in film theatres in the Rocky Mountain States. Now there is something I didn't realize. (I just read it from the record jacket).

"Prior to sound films"???I didn't think of him as being that old!

I knew Ken Griffin (this goes WAY back) check my home page

Ken Griffin was a very warm, gentle person. Great Wit...I even have a LP of his playing a theatre pipe organ. You have NO idea how much of a difference his style was on the pipe organ opposed to the Hammond. We all lost a lot of talent when he died. He had 3 Hammonds, one covered in mother of pearl.

---

Photo by Phil Gunsul

Ken is buried next to his father in Aurora, Illinois.

---

Email the Webmaster - Jerrell Kautz if you have any information, photos, etc of interest on Ken Griffin to add to this page.

---

"Buying and Selling Classic Hammond Organs - No Counterfeit B3s"

A reader from England writes:

Return-Path: Reynella@aol.com
Delivery-Date: Sat, 17 Jan 98 19:21:32 GMT
From: Reynella - Reynella@aol.com
Date: Sat, 17 Jan 1998 14:19:54 EST
To: jkautz@theatreorgans.com
Subject: Ken Griffin

To Jerrell Kautz.

My name is Patrick Noonan, E-Mail address Reynella@AOL.COM. I am 56 years of age. 
I am an Electronics Engineer. I live in the small seaside town of Torquay in the south 
west of England, in the county of Devon.

 I found your "Ken Griffin Memorial Page" and read it with great interest. Like you, Ken 
Griffin inspired my lifelong interest in organs. Until I read your article, I knew nothing of 
Ken except his name.

When I was about 12/13 years old, around 1953, fun-fairs played organ music on most 
of their rides. This period was shortly before rock'n roll appeared and changed popular music 
forever. So it was traditional that UK fun fairs had mechanical pipe organs or played organ 
records. Ken Griffin records (78 rpm) were my oustanding favourites and I spent hours listening, 
above the noise of the fairground.

My Father bought the family a record player soon after, and I had quickly amassed a 
small collection of Ken Griffin records, all 78 rpm. Unfortunately, they were all broken 
or lost but I list below those I remember :-

I don't know why (I love you like I do) / It had to be you
Dream
'O'
Cruising down the river (on a Sunday afternoon)
Crying in the chapel
You can't be true dear
The dipsy doodle
Five foot two, eyes of blue

There were many more which I cannot remember. Most of these were recorded on Philips but 
I feel sure some were on Parlophone. There was another recording company with a red label, 
probably Esquire which I thought Ken Griffin recorded on but I may be confusing this with 
another of my favourites of the time, the Milt Hurst Trio, which consisted of Hammond organ, 
drums and double bass.

I noted your Sony/Columbia CD of waltzes and I am currently trying to obtain a copy here. 
If only we could persuade the record companies to search their master archives and produce 
a few CD's of all these other gems!

I realise I have very few useful facts to tell you, but I am really writing to acknowledge your 
excellent article and to thank you for establishing such a unique memorial to someone who 
must have given so many people much pleasure. Ken Griffin must not be forgotten. 
  
If you have any suggestions where I might look to obtain some of these old recordings, I 
would appreciate an E-Mail sometime.

I send you my very best regards,

Patrick Noonan.

Update: 1/25/2020:

Today is the 21st anniversary of my late partner's Death (Patrick Noonan). Patrick loved Ken Griffin's organ music. Indeed, it inspired him to move on to Classical music and all types of Organ Music - which is why he left the Tribute to Ken Griffin on 17th January 1998. Sadly, Patrick collapsed and died on his 58th Birthday (a little over a year since he posted his Tribute ...from our home in Torquay). Patrick actually received an e.mail from a Frenchman, direct to his "Reynella" aol e.mail address, who told Patrick that his late Uncle (who lived in Northern France) had a number of Ken Griffin records, and that he promised to send Patrick a re-worked CD - which I still have, but sadly, I cannot get it to play). I no longer have an aol e.mail address - as I have moved to Virgin Media. My current e.mail address is: elizabeth.atkinson@blueyonder.co.uk Would it be possible to add this at the end of Patrick's Tribute, so that I can reply on his behalf with an active e.mail address?

Kind Regards

Dr. Elizabeth Atkinson elizabeth.atkinson@blueyonder.co.uk

---

"Buying and Selling Classic Hammond Organs - No Counterfeit B3s"

---

A former radio personality from LA writes:

Delivery-Date: Wed, 27 May 98 08:59:03 GMT
From: JJM1210@aol.com
Date: Wed, 27 May 1998 04:58:34 EDT
To: jkautz@theatreorgans.com
Subject: Ken Griffin

Ken Griffins first recording was "You can't be true dear" and the flip side
was the "Cooko Waltz" .   It was done on the Broadcast Label, at that time
they were in Long Beach, California, this was about "49, don't hold me to
that.  Mr. & Mrs Kishner, (don't hold me to that name, but it is damn close)
could not fill the orders fast enough.  So Ken Griffin, started his own label
called "Rondo", and put out the single on his own.  It was later that he
signed with Columbia.  

In addition to Ken Griffin, Broadcast Records did several albums with Truman
Welch who was playing the Theatre Organ at the Iceland Skating Arena in
Paramount, California.  But Broadcast was so slow on the getting the albums
out, working on promotion etc, Trumans great music was not heard by those that
should have.  He was indeed one of the best at the console, and he died at a
young age, back in the late "60's or early 70"s.   Truman often said when Jean
& Bob Kishner was going to do a recording of the Bible back in the "50's that
the Bible would be obsolete before they would get it out.  He was right, they
never got it pressed.  They later moved the company to San Marcos, and I
havn't heard a word about them in years.  

Wish someone could find Truman's Masters, it was great music, as only he could
play.

Hope you enjoyed my two cents worth.

Johnny Mellen  "The Organ Console from Swell to Great"  LA Radio 1954 to 1963

I've been a professional since age 17. I played in clubs throughout the midwest and joined the list of organists giving concerts for the Hammond Organ Company in 1955. I became staff organist for A.B.C. Channel 7 in Chicago in the late 1950s doing shows like 'Jack LaLanne' etc. Being a typical musician I worked several jobs at the same time some were doing commercials at Universal Recordings, Columbia, Mercury etc. I was the organist for the Chicago White Sox for six years, the first organist for the Chicago Bulls when they started at the International Amphitheater. I was the organist, arranger and conductor for Al 'Jealous Heart' Morgan for 28 years. We appeared at many of the top show lounges, hotels and theaters, including the Tropicana Hotel in LasVegas and the Chicago Theater and Rialto Theater in Joliet. I am now semi- retired, but still teach. Enough of this.

I first met Ken Griffin in 1947 when we were playing at the Symphony Show Lounge at 321 West 79th Street in Chicago. There were three acts. Ken and I were the organists and there was also a small combo that played between our acts. Ken was the entertainer. He played the organ, sang parodys and wore funny hats. I was lucky to have the featured spot. Ken always said he was an entertainer, not a musician. How wrong he was. In all the years we were friends, I never heard him play a bad chord or do anything that was not in excellent taste. He was very down to earth and loyal to his friends. I remember a night when we were playing at the Symphony and he came over and handed me a sheet of music. He said 'play this over Bob and let me know what you think of it.' I played it and truthfully wasn't impressed. I told him it was nice, but not for me. He told me he had just made a recording of that song at Chicago Recordings. I was really surprised as it didn't seem the type of material that Ken would use. To give an example of my judgement in music. The song was 'You Can't Be True Dear.' He made $108,000 and I was still working for $250.00 a week.

I remember one evening when I was playing at the 'Barharbor Lounge' at 71st and Bennett in Chicago. Ken was appearing at the Chicago Theater. It was a Saturday night and he had just finished doing several shows. He was really tired and had just come to the lounge to listed to me and relax. I announced that he was in the room, he acknowledged the applause and kidingly I said 'would you like to play a number? ' He came on stage and played for an hour. That was the Ken Griffin I was honored to know. We were good friends until the time of his death.

Years later I was doing a commercial for Libby Foods. We did the session at Columbia. The engineer came out of the booth and with great pride he said 'this is the organ Ken Griffin used for his recordings.' It was like a shrine to those people. There was a speaker in the studio, but no mikes on the organ. The engineer told me Ken always had the organ routed directly through the board. They didn't use mikes for my session either. They probably thought if that set up was good enough for Ken Griffin, it was good enough for me. It was. The session turned out great.

Bob Creed

Date: Mon, 05 Apr 1999 17:26:09 -0400
From: Roger Grady
Subject: Ken Griffin

Enjoyed reading your Ken Griffin material and thought I would share some
memories. (I was about 6 or 7 at the time so it's a bit fuzzy.) My parents
became acquainted with Ken at a night club in Chicago. I think Ken's and my
father's  common bond of military service in WWII helped facilitate the
friendship. They also met a doctor and his wife from Grand Rapids, Michigan
on one of these trips. As a result of this, Ken was engaged to perform at
our local Veterans of Foreign Wars post, in Winamac, Indiana (town of about
2000). I gathered that this was a much smaller venue than Ken was used to
doing concerts in, but he did it because he felt a bond with the veterans.
The concert was a huge success and drew a crowd which overflowed the VFW's
upstairs meeting area. I vaguely remember my dad telling stories about the
problems getting Ken's organ up the stairs.

After this Ken sort of was an honorary member and stopped in a few times
for a beer when he was passing near the area. I remember comments from the
VFW about his "block long Cadillac". He also visited our home for dinner at
least once that I remember, and gave me a dollar bill. This was when I was
used to getting nickels and dimes and on rare occasions a quarter. My dad
liked to relate my suspicion at receiving this "funny money".

Ken also visited the doctor and his wife I mentioned earlier, as did my
parents and I. They had a very nice home, including their own Hammond
organ, which  they talked about having serviced when Ken was expected so it
would be in perfect shape.

After Ken had recovered from his 1st heart attack he returned to the
Winamac VFW post for his first performance, because of the friendships he
had there. His death was a shock to the post and especially my parents. 

Somewhere in what's left of my parents belongings (both are deceased) there
should be some of Ken's records (78's) with at least one or two of them
autographed. All that stuff is at my younger sister's house. Next time I'm
there I'll have to dig through it and see what I can find. We had a bunch
of 78's and maybe an LP or two also.

Regards,

Roger Grady

			
Date:	12/21/99 2:05 PM	
From: WILFRED HØSTELAND	
Subject:Ken Griffin	
			

They had Ken's home model AV, and I had the great pleasure to play it - but sorry, they had changed the original A-cabinet for an old Leslie, and you know, that was not the Griffin sound! Now, that organ is given to a church in Denver, but is probably not in use there. A friend of us in Maine obtained to purshase one of Ken's mother-in-pearl travelling AV's from Ken'n family, and as the Griffin fan he is too, love to have it, and I have played it several times. Both the named organs are still just like new! Ken had also another similar travelling model, but we have not been able to find out where it is. We have also tried to find out where Ken's very special and decorative trailer might be, but no result.

When I was in Denver first time, I loaned the five film reels containing Ken's TV shows "67 Melody Lane",- which was five 15-minutes programmes sponsored by Wurlitzer. He played an electrostatic Wurlitzer organ there,- the same he later used on several records. He never recorded pipe organs, so this information is wrong. The record where his name appears, is a falsum. He only recorded Hammond, and the two last years of his life - also the Wurlitzer electrostatic organ. The films were made in 1954.

I also have visited Ken's grave in Aurora just west of Chicago. As somebody perhaps will know, he died at Sunday March 11, 1956, at 46,- after his second heart attack when playing in the Old Heidelberg Restaurant at 14. East Randolph Street - next door to the famous Oriental Theatre. This small and beautiful house are just now being incorporated in a new public art block - they will save the front only. For many years now, it was a steak house. Ken was sent by ambulance to Wesley Memorial Hospital in Chicago, and died after a few hours. Another thing told at the Griffin pages, is that Ken sais that " he was no musician but just an entertainer". This is wrong. At that time, there was two Ken Griffin in Chicago. One of them was an entertainer and radio show man, - and Ken always focused on the organ - that was just his profession! In fact, nobody have made so many Hammond organ solo recordings as him. Ken also made around 90 recordings for non-commercial use,- namely his Radio Transcriptions. These large sized LP's contained tunes he never recorded as commercial records,- but a number of them was recorded in different versions both for commercial use and the named ones. The sound quality of the "RT" recordings, in fact, was much better than the sound of the commercial records, so they must have had better studio recording equipment. The man having one of en's travelling organs, also have the original "RT" records - he must be lucky. I have copies of them myself. I'm planning a biographical and complete discography on Ken Griffin, but unfortunately, I do not know when I will be able to do that job. I have plenty of pictures of Ken throught the years - many of them never published. I have much more stuff on Ken, but I think that it will take too much place to include it here. Wilfred Høsteland, P.O.Box 365, Sentrum, N-5804 Bergen, Norway.

E-mail adress: willand@C2I.NET

P.S. I should like to know where Ken's recording organ was placed in Chicago,- and perhaps what happend to it later....?

We perused with great interest your Theatre Organ website featuring the late Ken Griffin.

Our father, Jimmie Marando, owned and operated Marando's World Famous Theatre Restaurant in 1946-1972. Mr. Griffin frequently played at our dad's place in the early 1950s. He is listed among the entertainers on a new website we launched on New Year's Eve 2012 -- MarandosRestaurant.com. It was quite the place. Thank you!