COPYING ONTO COLOUR NEGATIVE
George Sparkes (Area 22)

Home colour printing is not a mass production process so I decided to copy some of last year’s holiday slides onto Colour Negative with a bellows unit, bouncing flash from a small gun off a white card at 45 degrees. A 12 exposure test on Kodak VR100 produced negatives with varying degrees of under-exposure resulting in low quality prints except for one where I forgot to stop down after composing. 

It was obvious that some means of exposure determination was required. Using this one good exposure (F2) as a basis I substituted a 60 watt lamp for the 45 degree card and set a shutter speed which gave a centralised needle on the camera’s TTL meter when this particular slide was in position. I then changed the aperture to F5.6 as a useful mid-value and re-centralised by adjusting the shutter speed. This was in fact 1/15 and now had the confidence to copy 36 varying slides, each time substituting the lamp and adjusting the aperture to centralise the needle but varying by half a stop for slides with large light or dark areas. It may sound a fiddly business but I built up speed after the first ten slides especially as I have a simple gubbins with a slot which holds the white card in the correct position. This is just a piece of hardboard with a short length of slotted beading stuck on at 45 degrees to hold the flash gun and the opal diffuser which holds the slide on the bellows. I always position both the flash (GN 60 feet at 100 ASA) and the diffuser 8 inches from the centre of the angled card. 

This set up gave me 36 nicely exposed colour negatives and 36 very acceptable prints.   

Letters&AreaNews Editorial CRCMain

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