GETTING TO KNOW YOU

From Colin Powell

Most people will recognise these words from the song in the musical ‘The King and I” They are sung by Anna when she introduces herself to the children of the King of Siam 

In this instance it isnt people we are getting to know, but the gem of an idea by Sir Clough Williams - Ellis -Porthmerion”. 

The opportunity to learn more about Porthmeirion arose when John Podmore rang me and said he had booked Government House for a week and was inviting some friends with a common interest to stay there. The common interest was Photography the idea appealed to me and I asked to be included. 

At the time June 7th seemed a long way ahead, but at last it arrived and the car well loaded with luggage, camera bag, and equipment for processing E6, was on its way.  had been to Pertmeirion a number of times asa ‘day visitor, but ‘this  as different, I was        to be a resident. 

On arrival I met John and Mema and was introduced to the rest of the party, nine in all, The, accomodation in Government House was excellent and as we were self catering, we could have meals when we liked, so set meal times did not interfere with the taking of pictures. 

What a difference a common interest makes when a group of. strangers. find themselves sharing accomodation. We even managed to all share the kitchen to prepare and ‘cook our meals, not only with one another, but with part of the kitchen being used on one occasion with two lots of equipment processing E6 films. 

The weather was good in parts and this suited our needs9 it worked like this on firre days take pictures and in the evening process them, next day if wet cut and mount slides and project them, rejecting the slides not concidered good enough Next fine day take pictures to replace the ones rejected and so the cycle continued.

Time now to explain the scene inside Government House at one of our processing sessions. Those concerned were John Podmore, Mac & Jean and myse1f. Closely observed by, John Ruffel, the Editor. of the Midland Federations Spotlight. 

Mac and John were operating a Jobo doing 3 x 36 exp films at a time and I was using my home made equipment which is electronically controlled to 38C +/- half a deg. This gear is the brain child of my colleague Bob Lewis, who is National Membership Secretary of the Colour Reversal Club.’ Mac and John were using 3 bath Photocolor Chrome 6 chemistry and I was using the 7 bath Photoworld kit. 

After processing, the dinning room was a hive of industry with Mac cutting the frames, and June and I fitting the mounts. At projection sessions we were able to compare results especially as Mac and I were using Fuji 00 and at times taking our shots at the same time. 

Half way through the week we were joined by Vic Cox, an artist’ and near neighbour of John and Mema’s. Vic was a great help when we were projecting our slides, he was able to give the artist’s view of our effort’s. His comments at times were amusing, he would come out with comments such as “Why didn’t you leave, the telegraph pole out” or “Why not get the shadow falling to cover the offending patch”? He would then show us his. Painting of the scene we had just been projecting, which he had painted that day and, true enough, the brush, can be used to brush offending parts away. We enjoyed Vic’s comments, they were so good-humoured and constructive.  

By now the difference between being a day visitor and a resident was becoming more and more obvious I was able to walk about the village at 7 am and in the late evening without another person in sight, so pictures were possible of minute details of Sir Clough’s overall plan. 

I wonder how many of the visitors walking around the village were aware, of Sir Cough’s achievements in conservation, treasures which but for Portmeirion, would have been lost forever They include the 17th century plaster ceiling in the Hercules Hall, saved when Emrol Hall, Flintshire was demolished. This unique barrel vaulted 17th century sculptured ceiling in the Ballroom of the mansion was taken down and cut carefully into pieces which were able to be transported to its new home. The ceiling was “Knocked down” for £13.00 at the auction. This figure grew to several thousands by the time the ceiling and other parts of the Ballroom were re-built into what is now the Town Hall, Portmeirion..

Other treasures saved inc1uded,the Bristol Colannade, the upper half of the music room fireplace from the Cheshire Mansion at Dawpool, and many other statues, niaques, and ironwork, that can be seen whilst walking around the village Each of these items are there to be photographed and provide a delightful kaleidoscope which helps to tell the story of Portmeirion. 

Pictures appear around every corner of the village and when a subject is. needed there is the estuary with its ever changing moods, the rock pools, and the woodland walks through countless rhododendrons and Azaleas. 

To appreciate Portmeirion and its immediate surroundings is to understand what its Architect was aiming at when he started the project. Fe was luckier than most, he lived to see the project completed. 

The group staying at Government House took full advantage of the opportunity to take pictures and at the end of the week had close on 500 transparencies to prove it. 

We started with a song and finished with a quotation from Architecture for Everyone, BBC TV 1979 ~‘The challenge - or the modern architect is the same as the challenge for all of us in our lives, to make out of the ordinary, something out-of-the ordinary!!? 

How fortunate for all of us that Sir Clough-Ellis, .did just that.

Making An Exposure Frame Editorial CRCMain

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