AGFA DARKROOM

(Page Two)

The article that was accompanied by pictures showing normal, over & under contrast and also normal, under and over exposure. The change in the contrast was by adding 20% of water to increase contrast and 5g/Litre of Pot. Bromide to soften.  I preferred the normal but there was not a lot of difference. A small change in filtration was made to the higher or lower contrast but there was no mention of any filtration for the normal contrast The three different exposures were 2,4 & 8 secs with no filtration & normal contrast activator. I preferred the 8 secs. although the 4 secs as the correct exposure by programmed - exposure automation. Unfortunately no prices were given but even if it compares with Polaroid, it does at least allow any number of prints required and appears very good-tempered. 

The author made identical exposed prints of the same slide, giving 90, 120, and 180secs. in the activator. All 3 pictures were practically identical. There appears to be no good reason to ex end activation time. This seems to indicate the materials tolerance for processing errors. 

Exposure latitude is also enormous . In an initial experiment, a sheet was exposed strip-wise to have exposures of 1, 2, 3, 5, & 8 sees. Even so, it was very difficult to see the line between neighbouring density strips.  

The exposure side of the paper is jet black ...after exposure, it changes to a saturated hue of green and the picture side is white. Because the sheets are not corner notched in the normal way to identify the emulsion side, the difference must be felt with the finger, the black side being smoother than the white. If the mistake of loading backwards is made it does not matter. Just turn the paper over when the exposure ‘on the wrong side has been made. The material is absolutely opaque and no light will get through the wrong way. Incidently, because of back to front exposure the slides have to go in the enlarger carrier emulsion side up. 

Exposure ‘and filtering proved easier than the author had ever experienced. With no filter there was a slight reddish bias, corrected by 15 “Agfa” units of cyan. Thereafter, this was the basic filter pack for most of the prints made over a period of five clays. 

In the few cases where correction was needed, this tended to be in big jumps of more than 20 units, rather than the very small changes usually found with other materials. When there is a need for correction it seems to occur far more frequently when using altered activator solutions to v ry contrast, than with the normal dilution. The normal solution is slightly soft and Agfa recommend adding 10% water to increase the contrast. The author found 20% more useful. This requires the addition of yellow and cyan filers to counter a magenta shift. (also an increase in exposure). It is interesting to note that two trays of activator were left just covered with a sheet of cardboard over the weekend and were perfectly useable. To reduce contrast Agfa recommend 2g per litre of Pot. Bromide be added to the normal solution. The author: found 5-8g more useful. This gave a bluish cast. The article corrects this with yellow & cyan filters, the same as the magenta cast above. Surely it should be yellow & magenta in this case. Extra exposure was again required. 

The article then goes on to discuss in camera use. Agfa claim a speed of 16 ASA, but the author found 25 was the best to assume, using the normal activator. With the 20% dilution a speed of 40-50 ASA is achieved. The author’s reservations, if any, about the material, as used for prints from transparencies were: The glossy surface is not completely smooth. 

The sharpness could be improved. He considered it adequate but not as good as conventional colour papers...but hairline sharpness is not a speciality of diffusion transfer material. 

He sums up by saying he is sure many changes will have been made by the time it reaches this country and that the material will have been improved. No mention is made or what it will cost. However it all sounds very interesting.

Well there you have it... This report gives the new Agfachrome-Speed quite a fair comment and for anyone just planning to venture into reversal printing it does seem to have a lot going for it, We look forward to a report from any C. R.C. member who tries this process in the coming months.

3M 1000 ASA Slide Film Editorial CRCMain

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