COBBLER'S PAGE

News that the Club is to continue is good news indeed but we need to ask ourselves, to what aim? I did mention in previous notes that the present membership, in the main, no longer processed Konica film or any other film to the official club formula.

This was indicated in the drop in sales of film and chemicals to members. The enquiries I get as club Librarian mainly concern paper processing. I think this is because the last change in formula concerned RA paper. No longer is E6 a mystery. Paper processing only makes economical sense if you are doing reprints or bigger prints after having your film developed and printed at the photo lab. Both film and print processing need access to a darkroom. Darkroom use is now declining which is fairly evident if one is a member of a Camera Club.

Picture making is not in decline however as more and more people make use of the means of producing pictures mechanically be it camera, video, digital or a mixture. This would seem to indicate changes in the Colour Reversal Club to accommodate the growing number of people using these 'new' methods.

I had this in mind several years ago when I asked for further funds to extend the library to include some more expensive books on DI and an instructional video but nothing came of my request. Now I'm not so sure that this is the way forward for the CRC. Should we embrace a new name that does not indicate in some way that the primary function of the club is to exchange ideas and discuss ways and means of handling and processing colour material based on camera photographic technology? Whether there are enough members to sustain a club based on that, I don't know but would hope so considering the wide area we cover. The 'club' functions in areas or does it? I don't take part in any area activities simply because the area is too big and to organise meetings to suit us all would be impossible. I cannot attend an AGM unless a lift is offered. Didcot is possible but often falls on a date that is already committed to something else.

I joined the club originally, and remain a member, because of the exchange of information via the Newsletter on photographic techniques, formulas, and other members freely giving their findings on these. Chemical and film supplies being an extra bonus. Of course I would like to see this situation continue even with a smaller membership. Our Newsletter, the only contact most of us have with the club, has gone more into Digital of late. Does this reflect a subtle change already? Bill can only print what he gets from members. I still find the newsletter interesting at the moment and well worth the the low membership fee. I get information and tips not readily available from other sources like the Camera Club. If however it became DI orientated to the detriment of the silver process even though this may only reflect the changing membership I am afraid I would begin to lose interest I can get all the DI information I want, if I want it, from local sources.

So perhaps you will have gathered by now that I have no real suggestion. I cannot think of a name that would cover all the aspects mentioned. I shall stay a member whatever it is called but I hope enough of the wet processor non-digital members will feel the same. I'm sure we have a lot to work on. Things do not stay the same.

More work will be needed when the Reversal paper follows the RA lead. Films are changing, E6 will become E7 or E8. DI will catch up eventually but it has a long way to go yet for the small scale amateur even if it is only to improve the stability of inks used in printers, I want my prints to last longer than 2 years before they fade.

Digital Imaging is now well established and magazines on the subject abound as more and more people take it up. Is there a need for a postal club like ours in this field? Surely there would have to be an opportunity to look at results before any relevant discussion could take place. That is where postal print or slide folios come into their own and there are several of those to choose from, some dealing exclusively with digital imaging. The Colour Reversal Club is unique, there is nothing like it.

 

Editor's Comments

With 25 years of experience in the home processing of Colour Reversal Film the CLUB has a wealth of experience under it's belt. Newer members may wish to take advantage of this by contacting Brian and finding what is available in the Library on the issues that interest themselves. Photocopies of articles are available for just the basic copying and postal charges. Brian's address & Phone number is on page 16.

Fresh Eyes Editorial CRCMain

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