STOP SPECIFICATION

PEDAL   ACCOMP   GREAT   SOLO
32' Contra Bourdon 8' Post Horn   16' Tibia Clausa   16' Post Horn
16' Tuba Horn   8' Brass Trumpet 16' Vox Humana    8' Post Horn
16' Diaphone   8' Tuba Horn    8' Brass Trumpet    8' Tuba 
16' Tibia Clausa   8' Diaphone    8' Tuba Horn    8' Tibia 
16' Bourdon   8' Horn Diapason  8' Open Diapason    8' Orch Oboe
 8' Tibia Clausa   8' Tibia Clausa    8' Tibia Clausa    8' Kinura 
 8' Bass Flute   8' Clarinet    8' Clarinet    8' Sax & Vox
16' Piano   8' Strings    8' Orchestral Oboe  4' Tibia
 8' Piano   8' Cello    8' Kinura     8' Piano
Bass Drum   8' Oboe Horn    8' Saxophone       Glock
Jazz Cymbal   8' French Horn    8' Viol D' Orch        Xylophone
Brush Cymbal   8' Quintadena    8' Quintadena        Chrys Sub
    8' Concert Flute    8' Concert Flute       Chimes
Toe Studs   8' Vox Humana    8' Vox Humana   16' Solo Sub Octave
Bass & Crash   8' Salicional II   5 1/3' Fifth Tibia    8' Unison Off
Snare Roll   4' Octave    4' Tibia Clausa       Great On Solo
Gong   4' Octave Horn    2 2/3' Nazard (Tibia)  
Train Whistle   4' Tibia Clausa    2' Piccolo (Tibia)   Generals
    4' Strings   1 3/5' Tierce (Tibia) Flute Cel ON
Miscellaneous   2/3' Tibia Clausa 1 1/3' Larigot (Tibia) String Cel OFF
Re-set Organ   2' Tibia Clausa    1' Fife (Tibia)   Perc. Re-It
General Cancel   8' Piano    8' Piano   Perc. Un-Expr
Vol Control   Harp Sub   Xylophone    Piano sustain
Set   Harp   Chrysoglott     
Tab Rail Lights   Chrysoglott   Glockenspiel   Swell Pedals
    Brush Cymbal   16' Great Sub Octave Swell
    Wood Block    8' Unison Off   Kick Switch
    Tambourine    4' Great Octave   Crescendo
    Castanets   16' Solo Sub To Great  
         8' Solo To Great   Pistons
    Tremulants    8' Solo To Great Pizz Div Solo 8
    Main   Sostenuto   Div Great 8
    Solo   Melody   Generals 10
    Tibia/Vox/Sax        
    Strings        
    Clarinet        
    Tuba Horn        
    Brass Trumpet        

 

Connoisseur Palladium Specification

3 x 61 note manuals
32 note AGO pedal board
Audio
Echo Audio Fire 12 Ch
Roland Cakewalk
Midi Interface
Monitor
Acer TH30 Touch
Computer
HP 6005
Ram 12 gig
Windows7
Home Premium 64bit
500g HD 2
Speakers
Behringer Truth 2031A x 8
Fusion x 2
Yamaha Sub Woofer
Conn Pipes Sets 3
 

The Connoisseur Palladium.

In a new Home. June 2013.

 

The new home has a lounge room with a cathedral ceiling, which provides just the right amount of reverb.

The Audio set-up has 10 self powered studio monitors and three sets of Conn organ pipes and  a Yamaha subwoofer.

The flutes and strings are channelled through the pipes and the celestes are fed through the appropriate chamber.

The large sets has the C/C# audio and the small set is fed from the centre channel of the Yamaha surround sound amp. This certainly makes the strings sing.

 

The main chamber speakers.

 

The solo chamber speakers.

 

 


 

The Connoisseur Palladium

October 2012

Since I met Owen Jones I have had many great experiences in the VTPO world. His expertise amazes me and his enthusiasm is boundless.

Owen first converted my Conn652 to enable it to run Neil Jensen's Connoisseur ranks a couple of years ago and I have been wanting to have a completely digital organ ever since. The 652 performed very well but I had so much hanging off the back of it that it was a bit of a nightmare.

 

I had some good luck middle of 2012 when I heard that there was a Conn653 (not working) available for sale and I made an offer to the owners and they accepted.

It had not been used for many years and was in a bit of a sorry state but everything I needed was on it so I had it delivered.

Owen journeyed to my place in Dakabin Queensland and worked frantically for two weeks to strip the console in readiness for the refit.

 

Some Sorting out to DO!

 

Owen ordered Artisan equipment for the re fit and it has been incredible to me that so much output comes through just a hand full of boards.

Owen stripped every length of wire from the console and then used a lot of it again in the re fit, which saved a lot of dollars not having to buy it again. I still have a box as big as a tea chest nearly full of wire that will have to be disposed of some time.

 

Nobody Knows the Trouble I've Seen!

 

 

Owen asked me what I wanted in the final specification and I told him I wanted the Conn tab rail re designated to suit the Connoisseur 3/19 specification. I wanted him to choose voices for the tabs to make it a fabulous organ if it was only being played from the tab rail.

 

 

Wiring up the Toe Studs.

 

 

The touch screen was available to add or subtract voices at will while playing from the tab rail. This gave me a great organ that anybody could sit down and play from the tab rail if they were too timid to use the touch screen.

The next thing I wanted was to use all 12 channels on the Echo Audiofire12 instead of the 10 that I used on the Conn652. I have two sets of Conn 146 left and right pipes, and one set of Conn 145 pipes and Owen has connected these in the channel arrangement. The strings are diverted through these pipes and sound terrific (in my opinion anyway).

 

Wiring the Keyboards. Ugh!

 

 

I bought two more Behringer Truth 2031A speakers and these have improved my sound system a lot.

I always wanted toe pistons on my organ and have them at last. Ian and Glenda Kubler had bought some from Classic Organ Works at a very good price and sold six of them to me for my Palladium. These are used for crash cymbal, gong, train, siren, bell tree, and birds. I may change a couple of these to general registrations yet.

 

 

 

Installing the Artisan Micro Midi Boards.

 

 

 

The Conn653 had plenty of pistons and Owen used every one of them to my advantage.

I now have general and divisional pistons and have the advantage also of the touch screen to subtract or add voices to the piston selection.

I am still using the same computer that I used on the Conn652 but have added another 8Gigs of ram to make it more dependable. Before Owen arrived I had a computer techie upgrade the computer from 32 bit to Windows home premium 64bit technology.

 

Screw in those boards!

 

 

The computer runs Windows7 Home Premium because touch screens will not interface with anything less than that.

 

New Toe Studs, Merv's work, nice job.

 

What to do next:

There is a considerable amount of work to do yet, mainly on the voicing of the instrument.

I think it sounds wonderful because of the Connoisseur ranks and their magnificent clarity but have to admit that it all needs work to stop some ranks from screeching, and give others a boost in output. That's a two man job and I will get around to it as soon as I can with a lot of help from Arthur Midgley. Arthur is another VTPO crank who is 87 and still improving his converted Conn 650 . He loaded the Paramount 3/20 into his and it sounds terrific.

Mad Scientists.

 

I work my troops hard!

 

 

 

The Finished Product

 

.

I will eventually replace two JAYCAR party speakers, two Jensen shelf speakers, and two amplifiers with Behringer Truth 2031A speakers. This will give me 10 Behringers and three sets of Conn pipes and will cut down the space requirement for the whole outfit.

Another important thing to do is to replace the tabs that have paper stick-on labels on them to re-name the voice.

Neil Jensen has very kindly given me permission to call my VTPO

The Connoisseur Palladium

 

My sincere thanks to Owen Jones and his brilliance for setting me up with my dream instrument.



    Credits.

    Micro MIDI relay supplied by http://www.artisanorgans.com/

    3/19 Theatre Organ supplied by Key Media Productions.

    3/10 Paramount Theatre Organ supplied by http://www.paramountorganworks.com/

    3/17 Morton Theatre Organ supplied by  https://sites.google.com/site/savirtualorgans/south-african-virtual-pipe-organ-project

     Hauptwerk (Advanced version 4)

     The Audio System is an  echoaudiofire12 https://www.alesis.com/

    Owen Jones http://theatreorgans.com/owenjones/index.html

    Thanks to Don Clark, Rick Whatson, Kevin Purchase, Ian McLean and many others for their help on this project.


 

© Owen Jones

 
This site was last updated
11/07/22

 


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